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Fish & Fishermen in English Medieval Church Wall Paintings


Chris Plumb

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Another book review - and a bit of a minority interest methinks!

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Fish & Fishermen in English Medieval Church Wall Paintings

By Frederick Buller

 

A curious and rather unusual book that will fascinate anyone interested in Angling history – of which I thinks there’s a few on Anglersnet (well maybe just me and Vagabond!). The scope of this research is, however, rather narrow and I was amused by a line in the frontispiece which described the book as ‘a definitive text for anyone with an interest in the history of fishing and medieval paintings’. Now that’s got to be a small demographic!!

 

Fred’s starting point was in hunting down the earliest depictions of angling in England. Many regard the woodcut from the Treatyse of Fysshynge wyth an Angle (1496) (my avatar on Anglersnet) as one of the earliest images. And whilst it IS the earliest image in print Fred’s research finds pictures of anglers up to a couple of centuries earlier.

 

The beginning for Buller’s quest was being shown a photograph by one Frank Plum (no relation – but a curious coincidence) of a church wall painting depicting an angler. Fred realised that the age of the church (circa 1100) – might mean this picture would be one of the earliest in England of someone fishing. So starts a series of enquiries which are repeated throughout the book as Fred goes from church to church, tracking down and photographing images. Experts in medieval dress are consulted for their opinions as to the date various items of clothing were in vogue (so as to give a rough date for the figure painted) and the late Alwyne Wheeler asked his opinions to identify the fish being portrayed.

 

Allegorical paintings were common during the Middle Ages – it was a way to convey the church’s message to a mainly illiterate population. Many themes are repeated in almost every church and one very common one was the story of St Christopher. This was always prominent – opposite the main entrance as it was meant to be the first image parishioners’ saw on entering the church. Surrounding the image of the saint would often be found pictures of men angling and, by his feet, fish of various species – and it is these images that the book focuses on.

 

One surprise is how often the fish are easily identifiable – and another is how often the identification is of a sturgeon – a fish now absent from England’s rivers (apart from the VERY rare visitor). The location of the church often influence’s the images too – so, for example, sea fish are often depicted in coastal churches.

 

The custom of church painting ended with Henry VIII’s dissolution of the monasteries which also ordered the destruction of popish images. In effect what usually happened, however, was that the paintings were simply white washed over with lime. This process acted as a preservative to enable many to survive intact, though many more would be around to this day had it not been for the Victorian fashion of removing all plaster in country churches to reveal the stonework. Thankfully enough have survived and this book is a worthy record of one small part of these paintings

 

Medlar Press (who else) 8 Oct 2009.

 

ISBN 978-1-899600-98-4

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I'm interested to hear this, particularly about the paintings being preserved by the lime. My church has some fairly amazing wall paintings, though these are Victorian. I was talking about these to someone last night at a children's concert, and she told me of a small church where she grew up which was very damp - I think it was on a marsh. I can't remember all the details, but as a result of some more extreme manifestation of the damp problem the whitewash/lime came off the walls revealing the mediaeval wall paintings beneath which no-one had realised were there. But this marsh was not the place for people to come and see the paintings, so they numbered all the bricks and took the church down and rebuilt it in a model mediaeval village in south Wales. Phew, a lot of work! I'm afraid I don't know if there were any pics of fish or anglers!

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Hi John - you might want to check out the 'Victorian' painting. Buller cites a couple of examples in this book of Victorians 'improving' earlier paintings though rather clumsy touching up or even completely over painting what was there before!

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In the case of Greenham Church they really are Victorian, as the church wasn't built till 1876.

 

It was interesting to read your comment about sturgeon. I was listening to some programme on Radio 4 this evening and the guy said that up to and including the mediaeval period all the UK rivers had massive runs of migratory fish including salmon, sea trout, eels, lampreys and sturgeon up to 16 feet! He claimed migratory fish were a significant food source for the population as a whole.

 

Wow! I wonder how they caught the sturgeon?

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Pictures of lampreys, eels and salmon all feature in the book along with sturgeon - bares out what your commentator says. Though the only church local to us in Fred's tome - St James at Bramley, has a picture of a bream - no doubt from the local river Loddon!

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