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The use of "Spot Colour" in photography ?


Snatcher

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But the colour of the stone today will not be the same as when it was freshly quarried. Hundreds of years of oxidation and other chemical reactions will have given the stone a patina.

 

 

A patina, which in it's own right as a near mono back ground is preferrable to grey......

Edited by Old geezer

Growing old is mandatory, growing up is optional :-)

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A patina, which in it's own right as a near mono back ground is preferrable to grey......
Err, I think I'm with you on this one mate. I fail to see the point in having a photo that is half B&W and half colour.

The problem isn't what people don't know, it's what they know that just ain't so.
Vaut mieux ne rien dire et passer pour un con que de parler et prouver que t'en est un!
Mi, ch’fais toudis à m’mote

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for the stained glass the change from black and white/sepia to full colour is too garish and jarring for me.

If it was me I would fade the black and white/sepia into the colour of the windows...forming a kind of colour halo as if the light through the windows is providing colour illumination to the rest of the image.

does that make sense?

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At risk of being flamed.........

 

I often get the impression of mono and "gimmicks" in photoshop serve mainly as an attempt to make a poor photograph good. It doesn't. A sharp, well exposed picture wins every tim IMHO.

 

OK, some subjects almost demand mono, but not all.......

Growing old is mandatory, growing up is optional :-)

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